About Me

I've always been drawn to the stranger side of sound. My journey into music composition and production started in a niche genre where unique and unconventional sound design was at the core of my creative process. From the very beginning, I was more interested in how a sound sounded like something you’ve never heard before, rather than how it fit into traditional music structures. This obsession with the weird and unexpected led me to experiment with sound design in ways I didn’t fully understand at the time—I was just chasing what excited me.

Ironically, my creative process has always been sound-first. Most of my musical ideas don’t start with a melody or chord progression; they start with a cool sound I stumble upon during a sound design session. Whether it’s through layering textures, extreme post-processing, or manipulating field recordings in unconventional ways, I often find myself crafting entire tracks around a single sound that sparks inspiration. Looking back, I realize I’ve been unintentionally creating unique sounds through unique methods of post-processing all along.

This fascination with sound naturally evolved into a deeper interest in audio design as a whole, leading me to focus my studies on the technical and creative aspects of shaping sound for different mediums. Whether it’s music, game audio, or cinematic sound design, I’m always chasing new ways to push sonic boundaries and create something that feels fresh, immersive, and just a little bit strange.